{"id":3787,"date":"2018-06-10T22:20:01","date_gmt":"2018-06-10T21:20:01","guid":{"rendered":"http:\/\/culturaliagz.com\/?p=3787"},"modified":"2018-06-10T22:23:47","modified_gmt":"2018-06-10T21:23:47","slug":"a-tumba-de-edgar-poe-soneto-de-stephan-mallarme-traducido-ao-galego-por-andre-da-ponte","status":"publish","type":"post","link":"http:\/\/culturaliagz.com\/?p=3787","title":{"rendered":"A TUMBA DE EDGAR POE, soneto de Stephan Mallarm\u00e9 traducido ao galego por Andr\u00e9 Da Ponte"},"content":{"rendered":"<p><strong>A TUMBA DE EDGAR POE<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Como a Eternidade cabal o converte<\/p>\n<p>Ergue-se o Poeta de estoque soltado<\/p>\n<p>O seu siglo n\u00e3o conheceu amedrentado<\/p>\n<p>Quanto que nessa voz tinha a morte alerte!<\/p>\n<p>&nbsp;<\/p>\n<p>Eles, com torpe surpresa que a hidra adverte<\/p>\n<p>Dar um sentido puro e mais alteado<\/p>\n<p>Bradam com a voz cheia o feiti\u00e7o tomado<\/p>\n<p>No negro nascente que sem honra verte.<\/p>\n<p>&nbsp;<\/p>\n<p>Do solo e a nuvem contr\u00e1rios, \u00f3 enlevo!<\/p>\n<p>Se a ideia n\u00e3o d\u00e1 para baixo-relevo<\/p>\n<p>Da que a tumba de Poe orna deslumbrante;<\/p>\n<p>&nbsp;<\/p>\n<p>Abatido bloco dum rev\u00eas escuro<\/p>\n<p>Que o grande granito seu terminal levante<\/p>\n<p>Os negros voos esparsos no futuro.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>LE TOMBEAU D\u2019EDGAR POE<\/strong><\/p>\n<p>Tel qu\u2019en Lui-m\u00eame enfin l\u2019\u00e9ternit\u00e9 le change,<br \/>\nLe Po\u00ebte suscite avec un glaive nu<br \/>\nSon si\u00e8cle \u00e9pouvant\u00e9 de n\u2019avoir pas connu<br \/>\nQue la mort triomphait dans cette voix \u00e9trange!<\/p>\n<p>Eux, comme un vil sursaut d\u2019hydre oyant jadis l\u2019ange<br \/>\nDonner un sens plus pur aux mots de la tribu<br \/>\nProclam\u00e8rent tr\u00e8s haut le sortil\u00e8ge bu<br \/>\nDans le flot sans honneur de quelque noir m\u00e9lange.<\/p>\n<p>Du sol et de la nue hostiles, \u00f4 grief!<br \/>\nSi notre id\u00e9e avec ne sculpte un bas-relief<br \/>\nDont la tombe de Poe \u00e9blouissante s\u2019orne<\/p>\n<p>Calme bloc ici-bas chu d\u2019un d\u00e9sastre obscur<br \/>\nQue ce granit du moins montre \u00e0 jamais sa borne<br \/>\nAux noirs vols du Blasph\u00e8me \u00e9pars dans le futur.<\/p>\n<p>&nbsp;<\/p>\n<p>St\u00e9phane Mallarm\u00e9, de verdadeiro nome <em>\u00c9tienne Mallarm\u00e9<\/em>, (Paris, 18 de mar\u00e7o de 1842 \u2013 Valvins, comuna de Vulaines-sur-Seine, 9 de setembro de 1898).<\/p>\n<p>&nbsp;<\/p>\n<p>Texto em franc\u00eas apanhado da edi\u00e7\u00e3o Stephane Mallarm\u00e9, Po\u00e9sies, classiques fran\u00e7ais, Bookking International, Paris, 1993, p\u00e1gina 81.<\/p>\n<p><a href=\"https:\/\/www.zendalibros.com\/wp-content\/uploads\/2018\/04\/poemas-de-mallarme.jpg\">https:\/\/www.zendalibros.com\/wp-content\/uploads\/2018\/04\/poemas-de-mallarme.jpg<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A TUMBA DE EDGAR POE &nbsp; Como a Eternidade cabal o converte Ergue-se o Poeta de estoque soltado O seu siglo n\u00e3o conheceu amedrentado Quanto que nessa voz tinha a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[23,7,129,1],"tags":[],"class_list":["post-3787","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autoresas","category-creacion","category-literaria","category-xeral"],"jetpack_featured_media_url":"http:\/\/culturaliagz.com\/wp-content\/uploads\/2018\/06\/Mallarm\u00e9.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts\/3787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3787"}],"version-history":[{"count":3,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts\/3787\/revisions"}],"predecessor-version":[{"id":3790,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts\/3787\/revisions\/3790"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/media\/3791"}],"wp:attachment":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3787"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}