{"id":1818,"date":"2017-06-25T00:18:45","date_gmt":"2017-06-24T23:18:45","guid":{"rendered":"http:\/\/culturaliagz.com\/?p=1818"},"modified":"2017-06-25T00:18:45","modified_gmt":"2017-06-24T23:18:45","slug":"o-albatroz-de-charles-baudelaire-version-galega-de-andre-da-ponte","status":"publish","type":"post","link":"http:\/\/culturaliagz.com\/?p=1818","title":{"rendered":"O ALBATROZ de Charles Baudelaire (versi\u00f3n galega de Andr\u00e9 Da Ponte)"},"content":{"rendered":"
Das minhas tradu\u00e7\u00f5es<\/strong><\/h5>\n

 <\/p>\n

Do genial poeta franc\u00eas Charles-Pierre Baudelaire (Paris, 9 de abril de 1821 \u2013 Paris, 31 de agosto de 1867),<\/p>\n

 <\/p>\n

Baudelaire \u00e9 um dos fundadores da tradi\u00e7\u00e3o da moderna poesia, junto com o norte-americano Walt Whitman.<\/p>\n

Aqui traduzo um poema da sua obra-prima: As flores do mal (Les Fleurs du mal) segundo a edi\u00e7\u00e3o de Michel L\u00e9vy fr\u00e8res,\u00a01868\u00a0(\u0152uvres compl\u00e8tes, vol. I,\u00a0p.\u00a089), da minha biblioteca..<\/p>\n

 <\/p>\n

O albatroz<\/em><\/strong><\/p>\n

 <\/p>\n

Por divertir-se, \u00e0s vezes, os homens da marinhagem<\/p>\n

Ca\u00e7am os albatroz, o grande p\u00e1ssaro voraz,<\/p>\n

Que segue, indolente, aos companheiros de viagem,<\/p>\n

O navio que boia pegos de sal audaz.<\/p>\n

 <\/p>\n

Quase que colocado nas t\u00e1buas, estendido<\/p>\n

este imperador do c\u00e9u, t\u00edmido e envergonhado<\/p>\n

Bate as asas brancas com queixume constrangido,<\/p>\n

como remos rojados desabando pra o lado!<\/p>\n

 <\/p>\n

Que acanhado e d\u00e9bil se acha o viageiro alado!<\/p>\n

H\u00e1 pouco t\u00e3o elegante e agora a afear.<\/p>\n

Excita-lhe um o bico com cachimbo afumado<\/p>\n

outro, coxeando, anula quanto lhe faz voar<\/p>\n

 <\/p>\n

O Poeta \u00e9 semelhante \u00e0 princesa ave marinha<\/p>\n

Que desdenha do arqueiro, e se encara aos vendavais;<\/p>\n

Espatriado est\u00e1 no solo, entre a gente escarninha,<\/p>\n

N\u00e3o lhe deixam caminhar as asas colossais!<\/p>\n

 <\/p>\n

 <\/p>\n

L\u2019ALBATROS<\/p>\n

Souvent, pour s\u2019amuser, les hommes d\u2019\u00e9quipage
\nPrennent des albatros, vastes oiseaux des mers,
\nQui suivent, indolents compagnons de voyage,
\nLe navire glissant sur les gouffres amers.<\/p>\n

A peine les ont-ils d\u00e9pos\u00e9s sur les planches,
\nQue ces rois de l\u2019azur, maladroits et honteux,
\nLaissent piteusement leurs grandes ailes blanches
\nComme des avirons tra\u00eener \u00e0 c\u00f4t\u00e9 d\u2019eux.<\/p>\n

Ce voyageur ail\u00e9, comme il est gauche et veule\u00a0!
\nLui, nagu\u00e8re si beau, qu\u2019il est comique et laid\u00a0!
\nL\u2019un agace son bec avec un br\u00fble-gueule,
\nL\u2019autre mime, en boitant, l\u2019infirme qui volait\u00a0!<\/p>\n

Le Po\u00ebte est semblable au prince des nu\u00e9es
\nQui hante la temp\u00eate et se rit de l\u2019archer\u00a0;
\nExil\u00e9 sur le sol au milieu des hu\u00e9es,
\nSes ailes de g\u00e9ant l\u2019emp\u00eachent de marcher.<\/p>\n

 <\/p>\n

 <\/p>\n

http:\/\/4.bp.blogspot.com\/-X4yzPTS138I\/ThI4VylkpgI\/AAAAAAAAAdA\/sEo5HdYAMqs\/s1600\/2921065091_1_3.jpg<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Das minhas tradu\u00e7\u00f5es   Do genial poeta franc\u00eas Charles-Pierre Baudelaire (Paris, 9 de abril de 1821 \u2013 Paris, 31 de agosto de 1867),   Baudelaire \u00e9 um dos fundadores da […]<\/p>\n","protected":false},"author":35,"featured_media":1819,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[23,7,1],"tags":[130,265,266],"class_list":["post-1818","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autoresas","category-creacion","category-xeral","tag-andre-da-ponte","tag-charles-baudelaire","tag-o-albatroz"],"jetpack_featured_media_url":"http:\/\/culturaliagz.com\/wp-content\/uploads\/2017\/06\/Charles-Baudelaire.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts\/1818","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1818"}],"version-history":[{"count":1,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts\/1818\/revisions"}],"predecessor-version":[{"id":1820,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts\/1818\/revisions\/1820"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/media\/1819"}],"wp:attachment":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1818"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1818"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}