{"id":11459,"date":"2022-10-26T11:03:43","date_gmt":"2022-10-26T10:03:43","guid":{"rendered":"http:\/\/culturaliagz.com\/?p=11459"},"modified":"2022-10-26T11:08:04","modified_gmt":"2022-10-26T10:08:04","slug":"juan-mayorga-blanca-portillo-pablo-messiez-patricia-de-lorenzo-e-tito-asorey-despiden-esta-fin-de-semana-o-fiot31","status":"publish","type":"post","link":"http:\/\/culturaliagz.com\/?p=11459","title":{"rendered":"Juan Mayorga, Blanca Portillo, Pablo Messiez, Patricia de Lorenzo e  Tito Asorey despiden esta fin de semana o #FIOT31"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/5F1195CE-F6C0-4EE3-B0E8-F8E4FE255C23.jpeg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/5F1195CE-F6C0-4EE3-B0E8-F8E4FE255C23-1024x683.jpeg\" alt=\"\" class=\"wp-image-11460\" srcset=\"http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/5F1195CE-F6C0-4EE3-B0E8-F8E4FE255C23-1024x683.jpeg 1024w, http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/5F1195CE-F6C0-4EE3-B0E8-F8E4FE255C23-980x653.jpeg 980w, http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/5F1195CE-F6C0-4EE3-B0E8-F8E4FE255C23-480x320.jpeg 480w\" sizes=\"auto, (min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-justify has-medium-font-size wp-block-paragraph\"><strong>O FIOT despide esta fin de semana a s\u00faa 31\u00aa edici\u00f3n coas voces de Juan Mayorga, Blanca Portillo, Patricia de Lorenzo, Pablo Messiez e&nbsp;Tito Asorey<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>As grandes figuras das escenas galega e estatal ser\u00e1n o ramo da \u00faltima fin de semana de programaci\u00f3n do Festival Internacional Outono de Teatro de Carballo<br><\/strong><\/li><li><strong>O FIOT ofrecer\u00e1 o&nbsp;s\u00e1bado 29&nbsp;a estrea en Galicia do \u00faltimo \u00e9xito da tempada madrile\u00f1a, \u2018La voluntad de creer\u2019, dirixida por Pablo Messiez, e do mon\u00f3logo \u2018Mundo para lelos\u2019, do humorista vasco \u00d3scar Terol; ademais doutras d\u00faas estreas absolutas no marco do Certame Metro Cadrado: \u2018Viaxar \u00e9 un pracer\u2019, de Assirc\u00f3patas, e \u2018Actriz, chora\u2019, de Cacharela Teatro<br><\/strong><\/li><li><strong>O Sal\u00f3n social do Pazo da Cultura acoller\u00e1 tam\u00e9n o s\u00e1bado, a partir das 13.15 horas, a derradeira sesi\u00f3n da primeira tempada do Escola do espectador nas ondas, na que a xornalista cultural Paloma Cortina (Dramedias) conversar\u00e1 con Pablo Messiez e o elenco de \u2018La voluntad de creer\u2019<\/strong><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/5E55E2C4-5A51-4A5E-BABE-E3B3199A4CAB.jpeg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"11462\" src=\"http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/5E55E2C4-5A51-4A5E-BABE-E3B3199A4CAB-1024x683.jpeg\" alt=\"\" class=\"wp-image-11462\" srcset=\"http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/5E55E2C4-5A51-4A5E-BABE-E3B3199A4CAB-1024x683.jpeg 1024w, http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/5E55E2C4-5A51-4A5E-BABE-E3B3199A4CAB-980x653.jpeg 980w, http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/5E55E2C4-5A51-4A5E-BABE-E3B3199A4CAB-480x320.jpeg 480w\" sizes=\"auto, (min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/B48FA756-C918-463C-A717-0337A6191DAD.jpeg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" data-id=\"11461\" src=\"http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/B48FA756-C918-463C-A717-0337A6191DAD-1024x678.jpeg\" alt=\"\" class=\"wp-image-11461\" srcset=\"http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/B48FA756-C918-463C-A717-0337A6191DAD-1024x678.jpeg 1024w, http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/B48FA756-C918-463C-A717-0337A6191DAD-980x649.jpeg 980w, http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/B48FA756-C918-463C-A717-0337A6191DAD-480x318.jpeg 480w\" sizes=\"auto, (min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">O <a rel=\"noreferrer noopener\" href=\"https:\/\/fiot.gal\/?lang=es\" target=\"_blank\">Festival Internacional Outono de Teatro de Carballo<\/a>, o FIOT, despedir\u00e1 esta fin de semana a s\u00faa 31\u00aa edici\u00f3n por todo o alto. As grandes voces das escenas galega e estatal daranse cita en Carballo:\u00a0<strong>Juan Mayorga, Blanca Portillo, Grupo Ch\u00e9vere e Patricia de Lorenzo, Pablo Messiez, Tito Asorey e Xos\u00e9 A. Touri\u00f1\u00e1n,<\/strong>\u00a0os pratos fortes deste #FIOT31, ter\u00e1n un especial protagonismo estes d\u00edas, nos que o p\u00fablico poder\u00e1 gozar de ata tres espect\u00e1culos do Programa de Sala. O\u00a0s\u00e1bado 29\u00a0ser\u00e1 a xornada central co certame ao acoller representaci\u00f3ns de catro montaxes,\u00a0<strong>todas elas estreas galegas ou absolutas<\/strong>; ademais da\u00a0<strong>derradeira sesi\u00f3n ao vivo da Escola do espectador nas ondas<\/strong>.\u00a0<br><br>A primeira das citas ter\u00e1 lugar o venres 28. A<strong>\u00a0Xograresa de Outono 2019, Patricia de Lorenzo,<\/strong>presentar\u00e1 en Carballo -no marco co ciclo OTNI- a s\u00faa conferencia performativa\u00a0<strong>\u2018Pequenas mentiras para contar grandes verdades\u2019<\/strong>, un traballo no que aborda, a partir do proceso de construci\u00f3n dos distintos papeis que interpretou co\u00a0<strong>Grupo Ch\u00e9vere,<\/strong>\u00a0como \u00e9 a representaci\u00f3n de personaxes que, na meirande parte das ocasi\u00f3ns, act\u00faan como subalternas e reproducen os imaxinarios do poder. De Lorenzo exp\u00f3n como o traballo de actriz pode ser, \u00e1s veces, un modelo de resistencia e testemu\u00f1o real da xente an\u00f3nima que nunca \u00e9 protagonista.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Ao d\u00eda seguinte ser\u00e1 a quenda do m\u00e1is recente \u00e9xito da tempada esc\u00e9nica madrile\u00f1a:&nbsp;<strong>\u2018La voluntad de creer\u2019, unha coproduci\u00f3n&nbsp;<\/strong>de Buxman Producciones e do Teatro Espa\u00f1ol escrita e dirixida por&nbsp;<strong>Pablo Messiez<\/strong>. A obra iniciar\u00e1&nbsp;este s\u00e1bado 29&nbsp;a s\u00faa xira estatal e a primeira parada ser\u00e1 en Carballo, dando p\u00e9 \u00e1 celebraci\u00f3n da&nbsp;<strong>estrea en Galicia<\/strong>&nbsp;desta montaxe, que indaga na relaci\u00f3n entre vontade, fe e suxesti\u00f3n a partir da historia dunha familia, cuxo irm\u00e1n menor sost\u00e9n ser Xes\u00fas de Nazareth. A peza insp\u00edrase na pel\u00edcula \u2018Ordet\u2019, de Carl Theodor Dreyer, quen \u00e1 vez adaptou a obra \u2018La palabra\u2019, de Kaj Munk. A estrea galega de \u2018La voluntad de creer\u2019 ter\u00e1 lugar o&nbsp;s\u00e1bado 29&nbsp;no Auditorio do Pazo da Cultura contra \u00e1s 20.30 horas.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Outra das citas m\u00e1is esperadas deste #FIOT31 chegar\u00e1 o&nbsp;domingo 30. Ser\u00e1 o&nbsp;<strong>regreso de Blanca Portillo \u00e1s t\u00e1boas do Pazo da Cultura&nbsp;<\/strong>logo da s\u00faa aclamada interpretaci\u00f3n no 2015 de \u2018El Testamento de Mar\u00eda\u2019, a coproduci\u00f3n do Centro Dram\u00e1tico Nacional, Festival Grec e Avance Producciones Art\u00edsticas, que resultou ga\u00f1adora do Premio do P\u00fablico do FIOT daquel ano. Desta quenda, a actriz volve coa aclamada \u2018Silencio\u2019, do reco\u00f1ecido dramaturgo<strong>&nbsp;Juan Mayorga,&nbsp;<\/strong>un dos autores vivos m\u00e1is representados e a quen se lle outorgou estes d\u00edas, precisamente, o Premio Princesa de Asturias das Letras; galard\u00f3n que se suma aos xa recibidos Premio Nacional de Teatro (2007), Premio Nacional de Literatura Dram\u00e1tica (2013), e numerosos Max como Mellor Autor ou Mellor Adaptaci\u00f3n.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">\u2018Silencio\u2019 toma como referencia, precisamente,&nbsp;<strong>o discurso de ingreso de Mayorga na Real Academia Espa\u00f1ola, un texto que o dramaturgo converteu en teatro<\/strong>&nbsp;e no que pon de manifesto o valor do tempo e do silencio. Blanca Portillo \u00e9 a responsable de levar \u00e1 escena a peza, na que o autor tam\u00e9n viaxa polos silencios teatrais que a\u00ednda soan na s\u00faa memoria e no seu corpo.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">A \u00faltima funci\u00f3n do Programa de Sala deste 2022 ser\u00e1 o&nbsp;31 de outubro. Chegar\u00e1, coma no 2019 (edici\u00f3n que se pechou con \u2018Fari\u00f1a\u2019), da man de&nbsp;<strong>Tito Asorey, Xos\u00e9 A. Touri\u00f1\u00e1n<\/strong>&nbsp;e Ain\u00e9 Produci\u00f3ns, desta quenda en coproduci\u00f3n co Centro Dram\u00e1tico Galego.&nbsp;<strong>\u2018Recortes, caneos e outras formas de driblar\u2019,&nbsp;<\/strong>que parte dun texto do xornalista Nacho Carretero e que conta con dramaturxia de Jos\u00e9 L. Prieto, far\u00e1 a&nbsp;<strong>primeira parada da s\u00faa xira en Carballo<\/strong>&nbsp;cunha funci\u00f3n que por\u00e1 o broche dourado \u00e1 31\u00aa edici\u00f3n do FIOT.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Xornada de estreas e despedidas o&nbsp;s\u00e1bado 29<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Este mesmo&nbsp;s\u00e1bado 29&nbsp;o p\u00fablico do FIOT tam\u00e9n poder\u00e1 gozar coas d\u00faas \u00faltimas montaxes do&nbsp;<strong>VI Certame de Micro-Escenas Metro Cadrado,&nbsp;<\/strong>a li\u00f1a de programaci\u00f3n que promove a creaci\u00f3n de pezas esc\u00e9nicas experimentais en espazos non teatrais e singulares de Carballo. Ao igual que na fin de semana pasada, ter\u00e1n lugar d\u00faas estreas absolutas:&nbsp;<strong>\u2018Viaxar \u00e9 un pracer\u2019<\/strong>, de Assirc\u00f3patas, unha comedia do absurdo que reflexiona sobre o noso papel coma turistas e que se poder\u00e1 ver no despacho do alcalde; e&nbsp;<strong>\u2018Actriz, chora\u2019<\/strong>, a peza de Cacharela Teatro que critica, desde a comedia, os estereotipos e os desaf\u00edos do sector art\u00edstico, en especial das mulleres novas. Ambas obras contar\u00e1n con catro pases (13.00, 13.30, 19.00 e 19.30 horas) e, coma sempre, recom\u00e9ndase reservar previamente a praza en&nbsp;<a href=\"mailto:fiot.microteatro@gmail.com\" target=\"_blank\" rel=\"noreferrer noopener\">fiot.microteatroentrada@gmail.com<\/a>.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">De xeito paralelo, no sal\u00f3n social do Pazo da Cultura celebrarase a&nbsp;<strong>derradeira sesi\u00f3n da primeira tempada da Escola do espectador nas ondas<\/strong>, os encontros nos que artistas, xornalistas especializadas en artes esc\u00e9nicas e p\u00fablico comparten conversa e facilitan a comprensi\u00f3n e an\u00e1lise dos espect\u00e1culos que conforman a programaci\u00f3n do festival. Desta quenda, a xornalista cultural de RTVE&nbsp;<strong>Paloma Cortina<\/strong>&nbsp;(Dramedias) manter\u00e1 unha conversa aberta ao p\u00fablico co&nbsp;<strong>elenco de \u2018La voluntad de creer\u2019<\/strong>&nbsp;e co seu director e creador<strong>, Pablo Messiez,&nbsp;<\/strong>quen participar\u00e1 v\u00eda telem\u00e1tica na gravaci\u00f3n do podcast.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Xa pola noite o Mercado municipal acoller\u00e1 a \u00faltima funci\u00f3n da XXIII edici\u00f3n do ciclo de narraci\u00f3n oral R\u00faa dos Contos: ser\u00e1 coa estrea en Galicia de&nbsp;<strong>\u2018Mundo para lelos<\/strong>\u2019, a \u00faltima creaci\u00f3n do humorista, actor e director vasco&nbsp;<strong>\u00d3scar Terol,&nbsp;<\/strong>quen por\u00e1 en evidencia un mundo que se asoma incomprensible para todas as persoas e do que sempre tentamos ocultar o noso \u201ceu parvo\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<a href=\"http:\/\/culturaliagz.com\/wp-content\/uploads\/2022\/10\/20221025-Os-pratos-fortes-do-FIOT-pechan-a-31-edicion.pdf\" class=\"pdfemb-viewer\" style=\"\" data-width=\"max\" data-height=\"max\" data-toolbar=\"bottom\" data-toolbar-fixed=\"off\">20221025-Os-pratos-fortes-do-FIOT-pechan-a-31-edicion<\/a>\n<p class=\"wp-block-pdfemb-pdf-embedder-viewer\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O FIOT despide esta fin de semana a s\u00faa 31\u00aa edici\u00f3n coas voces de Juan Mayorga, Blanca Portillo, Patricia de Lorenzo, Pablo Messiez e&nbsp;Tito Asorey As grandes figuras das escenas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[23,7,6,57,1],"tags":[1311,1297,1377,1313,1312,1378,1376,1314],"class_list":["post-11459","post","type-post","status-publish","format-standard","hentry","category-autoresas","category-creacion","category-novas","category-outras-artes","category-xeral","tag-blanca-portillo","tag-fiot-31-carballo","tag-grupo-chevere","tag-juan-mayorga","tag-pablo-messiez","tag-patricia-de-lorenzo","tag-tito-asorey","tag-xose-a-tourinan"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts\/11459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11459"}],"version-history":[{"count":5,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts\/11459\/revisions"}],"predecessor-version":[{"id":11468,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=\/wp\/v2\/posts\/11459\/revisions\/11468"}],"wp:attachment":[{"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11459"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/culturaliagz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}